MohawkArtist

Art. Design. Illustration. by Star Horn

Tag: community

Print Work for Local Hockey Program

September 23, 2016 /

A continuation of the work for the new recreational hockey program to be started in Perth.  A lanyard, to be handed out to all participants in this program, will be accompanied by another Perth Blue Wings ‘free entry’ pass to all their home games. The lanyard was created for some extra advertising and a place to display the names of some sponsors. It also serves as a hands-on schedule with reminders of upcoming events and hockey ‘theme’ days.

lanyard

Full color front of lanyard design

 

lanyardback

Full color back of lanyard design

These are to be printed double sided on cardstock and fit into 4″ x 6″ plastic lanyards.

Branding Work

January 4, 2016 /

Reiki Associates  (http://www.reikiassociates.com/) contracted my services to update their business card to reflect the new look of their brochure.  A two-sided, full-color card with the ability to write 3 appointment dates on the back as a handy reminder for clients.

When you re-do the brochure, you HAVE to re-invent the business card as well

When you re-do the brochure, you HAVE to re-invent the business card as well

Close up of both sides of the business card.

Close up of both sides of the business card.

In addition, an ad used in the Humm, for their upcoming conference. The client is going to be using a separate and distinctive logo for this reiki conference. Yet to be finalized, we used only one element from that logo, a tree, in the interim.

A black and white ad placed in the Humm newspaper.

A black and white ad placed in the Humm newspaper.

2015 MERA Award for Excellence in the Fine Arts and Fine Crafts: Otherwise known as my Runner-Up Story

June 23, 2015 /

“Dean Spence is the recipient of the 2015 MERA Award for Excellence in the Fine Arts and Fine Crafts, with Star Horn as runner-up.”

Dean Spence and his wife & The Runner Up

Dean Spence and his wife & The Runner Up

Dean Spence gets the award.

Dean Spence gets the award.

Late Friday, June 12th, 2015, in the absolute pouring rain, I loaded the car up with my handsome date (my son Fisher), and a selection of large necklaces as well as a few smaller samples, some display stands, business cards, display cloth, and very little expectations. I was not convinced that anyone would show up in such undesirable weather, for an award ceremony celebrating fine arts and crafts, in the incredibly charming but small town of McDonald’s Corners. Did I mention it was POURING?

After driving by and then circling back, we found our way into the MERA Schoolhouse (MERA: McDonald’s Corners/Elphin Recreation and Arts) and were greeting by several friendly people. I met and chatted with Marilyn Barnett (Administrator and Assistant Secretary/Treasurer), Danny Sullivan (Head of the Board of Directors), Ankaret Dean (Artistic Director), Diana Nemiroff (former Director of Carleton University Art Gallery and senior curator at the National Gallery of Canada from 1990 to 2005), numerous potters, weavers, painters and their spouses. The little schoolhouse was displaying all forms of artwork for an upcoming weekend show on it’s walls. It quickly filled up with at least 30 folk. I was so pleasantly surprised!

I felt like I had actually WON the award that evening as everyone was so congratulatory and inquisitive. Several women purchased some necklaces and immediately wore them, seemingly proud of their find. Foodsmiths had donated some wonderful treats, wine and beer was available, and a commemorative plaque was unveiled (it was made locally by an artist who used an actual piece of old slate that was used as a blackboard from the time when children were actually taught in the school). Mr Sullivan gathered everyone around for a brief presentation of certificates and kind words along with introductions of all the contributors of the evening.

Fisher, always up for a ‘dress-up’ occassion, enjoyed the snacks and was helpful in taking photo’s for me. All in all, a great experience and reminder that ‘artistically bent’ folk need to be supported, engaged with, and partied with OFTEN 😉

Oh I will sample these as well!!

Oh I will sample these as well!!

Runner-Up, my Handsome Date, and my work.

Runner-Up, my Handsome Date, and my work.

Chris Dodge (Award Benefactor) and Ankaret Dean (Artistic Director of MERA) both modelling their purchases!

Chris Dodge (Award Benefactor) and Ankaret Dean (Artistic Director of MERA) both modelling their purchases!

“The MERA Award, which is given every two years, was conceived and made possible by a generous donation by Lanark Highlands’ residents Chris and David Dodge to the Perth and District Community Foundation, which manages the funds. Recognizing MERA’s important contribution to the arts community, the Dodges chose MERA to select the Award winners.” -MERA website.

Commemorative plaque made of old schoolhouse blackboard slate.

Commemorative plaque made of old schoolhouse blackboard slate.

Everyone mingling!

Everyone mingling!

Good Spirits

April 9, 2015 /
Good Spirits

Good Spirits

The ‘Good Spirits’, often misinterpreted as ‘bad spirits’ because of their obvious expressions and devilish horns, was an image I found years ago in an old sepia photo. The ‘spirits’ were painted directly on the outside of a tipi and the intention was for these ‘beings’ to ward off or protect it’s inhabitants from actual ‘bad spirits’, enemies, and I’m sure anything with bad intentions (!)

IMG_3985

Assiniboin: the painted medicine tipi of a man named ‘Nosey’ is made of canvas. The heavy cotton was supplied to reservations by the Government after the 1880’s, when the buffalo had been killed off and skins could no longer be used. -Fort Belknap Reservation, Montana, July 1906 (“Indians” by Joanna Cohan Scherer, Crown Publishers, Inc., New York.

The ‘Strawberry Festival’ which takes place when the ‘wild strawberry’ ripens, usually late June, is to thank the Creator for the return of this fruit. The timing coincides with the beginning of all remaining fruit which begins to ripen and can be harvested at this time.

My picture also incorporates a strawberry-design ash basket. This beautiful, labour intensive craft is traditional to the Mohawk people. I’ve never endeavoured to make one myself but appreciate the talent that is required to make these beautiful designs. The weavers use the ash tree, sweetgrass, dyes, various weaving styles and designs to create useful as well as beautiful baskets. Here’s an example of a weaver/artist:  http://www.indiancraftshop.com/highlight_of_month/RobinLazore.htm

I created the central figure to be cocooned in leaves (Nature), blue sky/water (Life/Air) encircle, but I also made her/him look fragile, disjointed, broken. A person, depending on their life circumstances and at what instance you encounter them, can be either strong and impenetrable or weak and full of holes. I chose the latter in this instance. The need for the Good Spirits would obviously be more necessary at this vulnerable moment. Being enveloped in Nature, Tradition, other strong symbols of my culture, was to counter that state of being in a positive way. Combining this with the concept of the Strawberry Festival made me think of ‘renewal’/’ripening’/’change’/’giving thanks’….a contrasting but inevitable idea that occurs every year. Mother Earth goes on with her seasons and circle of life, death, ripening and renewal, with or without us.

Broken Round Dance

March 27, 2015 /
Broken Rounddance

Broken Round Dance

A piece I did this week. In light of the hundreds of murdered and missing Aboriginal women in this country and recent news of a missing 58 year old woman from just down the road from here (sadly she was found dead two days later, no foul play suspected) I was thinking of “loss”. How it would feel to not know, to be continually searching and looking, for a loved one.

My son and I left Walmart the other day and paused in front of the posters of missing persons they hang in the entrance. Some were recent, some from as far back as the 1970’s. Faces of children, young women, a few men, all being missed by families and friends, that had vanished never to be seen again were staring at us.

Emma Fillipoff has been missing since Nov 28, 2012, vanishing from in front of the Empress Hotel in Victoria, British Columbia, at the age of 26. Her mother resides nearby where I live. She is not someone I know personally, but I reflect often on what she is going through, even after all this time. Thankfully, I have no close relatives or friends who have vanished. Yet.

It sounds awful to say that but the odds are high that sooner or later it will hit closer to home. For a moment I tried to put myself in that position. What would it feel like to be missing someone?  I could not stay in that feeling too long because I look down to my chest and feel the empty hole. I feel it with my senses even before I touch my chest or look with my eyes. It’s hollow and cavernous. It feels like a huge chunk of my chest has been removed and it’s difficult to breathe.

I’m sure for those who are constantly ‘looking’ or ‘waiting’ for news it’s actually a lot worse. But that is as much as I can imagine. From this feeling came the artwork I posted above.

The ‘Round Dance’ has many meanings and several styles, depending on what Nation you come from. A few are mentioned here: http://www.cbc.ca/manitoba/scene/homepage-promo/2013/01/28/round-dance-revolution-drums-up-support-for-idle-no-more/

Or an alternative explanation:

http://www.native-drums.ca/index.php/Music/Social_Dance?tp=a&bg=1&ln=e

The Round Dance signifies a lot of things; the healing circle, the social gathering of community,  a ceremony or festival, and even a form of grieving or celebrating through dance. The spaces in between the dancers represent missing members of the community. The friends and family left ‘searching’ look whole, but if you look closely (their shadows) they have holes in their chests. The darker dancers, drawn differently than those in the foreground, are my interpretation of the physical hardship that families go through. The dwindling of spirit directly affecting ones body. The faint outline of a drum, the ‘heartbeat’ of many traditional dances is under their feet. Without those missing friends, family and loved ones, the dance is broken and like a ‘community’ being broken, will not function properly. Dancers will be out of step, the enclosure is vulnerable without everyone clasping hands (a sign of support/strength/love/kinship), and those that are there will be ‘un-whole’.

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